Clark Art Screens 'George Washington'

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WILLIAMSTOWN, Mass. — On Thursday, March 13, the Clark Art Institute continues its Small Town film series with a screening of "George Washington" (2000) at 6 pm in the Manton Research Center.
 
According to a press release:
 
This film unfolds during a balmy July in a North Carolina town where kudzu embraces abandoned buildings. Four children at the edge of adolescence make a mistake that cannot be undone. They are forced to grow up, albeit only partially. One of them, George (Donald Holden), emerges as a local hero. Sublimely narrated by the twelve-year-old Nasia (Candace Evanofski), George Washington is about the relationship between choice and chance, and the aspirations that still prevail outside of it. Made on a shoestring budget with non-actors, David Gordon Green succeeds in directing a debut film unlike any other. (Run time: 1 hour, 29 minutes)
 
Free. Accessible seats available; for information, call 413 458 0524. 

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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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