Clark Art Institute to Air Metropolitan Opera's "Salome"

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WILLIAMSTOWN, Mass. — The Clark Art Institute will present a broadcast of the Metropolitan Opera’s production of "Salome" on Saturday, May 17, at 1 p.m.

The screening is part of the 2024–25 season of The Met: Live in HD and will take place in the auditorium located in the Manton Research Center.

The broadcast will feature the live performance, including backstage interviews and commentary. Yannick Nézet-Séguin will conduct Strauss’s opera, with Claus Guth directing a new production set in the Victorian era. The cast includes South African soprano Elza van den Heever as Salome, Swedish baritone Peter Mattei as Jochanaan, German tenor Gerhard Siegel as King Herod, American mezzo-soprano Michelle DeYoung as Herodias, and Polish tenor Piotr Buszewski as Narraboth.

Tickets are priced at $25 ($22 for members, $18 for students, and $5 for children 15 and under). Advance registration is encouraged due to limited capacity. Tickets can be purchased at clarkart.edu/events or by calling the box office at 413 458 0524. Tickets are nonrefundable.

 


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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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