Williams College Faculty Lecture Series: Brian Michael Murphy

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WILLIAMSTOWN, Mass. — Chair and Associate Professor of American Studies Brian Michael Murphy presents, "The Data Complex" as part of the Spring 2026 Faculty Lecture Series. 
 
Lectures will begin at 4:15 p.m. and will take place in Bronfman Auditorium (Wachenheim B11). The free lecture is open to the public.
 
According to a press release:
 
In the late nineteenth century, the U.S. government and American corporations generated an unprecedented amount of paper records. The data complex emerged as a national network of repositories built to house all those documents. Over the next several decades, the data complex expanded from traditional archives and libraries to bombproof bunkers and securitized data banks. In the 21st century, some tech companies are working to build data centers in outer space, while others have figured out how to store backups of digital files in synthetic DNA. How did Americans become so obsessed with preserving data, and how is the data complex expanding and changing today? How is it changing us? As we increasingly think, communicate, and relate through digital technology, our nervous systems grow more entangled with fiber optics, further blurring the line between human life and the life of machines, between our everyday thoughts and the dreams of the data complex.
 
Brian Michael Murphy is Chair and Associate Professor of American Studies at Williams College and a Faculty Associate at the Berkman Klein Center for Internet & Society at Harvard University. His book "We the Dead: Preserving Data at the End of the World" (University of North Carolina Press) received the Anne Friedberg Innovative Scholarship Award from the Society for Cinema & Media Studies, and the Lois P. Rudnick Book Prize from the New England American Studies Association. His writings have appeared in the Kenyon Review, Wall Street Journal, Lapham's Quarterly, IGN, and McSweeney's Internet Tendency, among other places. A Fulbright Scholar, he holds a Ph.D. in Comparative Studies from The Ohio State University, where he was a Presidential Fellow.
 
This talk is presented as part of the Spring 2026 Faculty Lecture Series. The series was founded in 1911 by Catherine Mariotti Pratt, the spouse of a faculty member who wanted to "relieve the tedium of long New England winters with an opportunity to hear Williams professors talk about issues that really mattered to them." From these humble and lighthearted beginnings, the Faculty Lecture Series has grown to become an important forum for tenured professors to share their latest research with the larger intellectual community of the college.
 
The Faculty Lecture Series is organized by the faculty members of the Lecture Committee. The aim of the series is to present big ideas beyond disciplinary boundaries. 

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Creative Pause: Venerable WTF Taking Time to Innovate, Strategize

By John TownesSpecial to iBerkshires
The pace and pressures of change have intensified in all sectors of society. The creative economy is no exception.
 
Non-profit arts organizations have always had to adapt to changing times. Some of these issues are common and perennial, including the need to raise funds, attract audiences, and remain relevant and sustainable.
 
In addition, while the COVID-19 pandemic was several years ago, it has taken time
to recover from the universal shutdowns of 2020 and their aftermath.
 
These issues were highlighted in the Berkshires recently with the announcement that two prominent cultural institutions in Northern Berkshire County — the Williams Theatre Festival and the FreshGrass music festival at Massachusetts Museum of Contemporary Art were cancelling their 2026 summer seasons.
 
Both organizations, which are separate, will use the time to regroup, with plans to return in 2027.
 
While the announcements raised concerns about the impacts on the cultural tourism economy this summer, the overall slate of cultural attractions and activities in the Berkshires appear to be on track. The cultural sector is not monolithic, and other individual organizations are either proceeding as normal or expanding their offerings.
 
The season cancellation at WTF was because of a combination of factors, said Raphael Picciarelli, WTF's managing director for strategy and transformation. He shares administrative oversight responsibilities with Kit Ingui, managing director of operations and advancement.
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