Berkshire Bach Society to Perform St. John Passion in Great Barrington

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GREAT BARRINGTON, Mass. — The Berkshire Bach Society (BBS) has announced a performance of J.S. Bach’s St. John Passion on Saturday, April 11, at the First Congregational Church in Great Barrington. The 3 p.m. concert marks the society’s first presentation of the work in 31 years, following a 1995 performance at Tanglewood’s Ozawa Hall.

James Bagwell, the BBS Director of Choral Music and a professor at Bard College, will conduct the performance. Bagwell has assembled a cast of professional soloists and the Berkshire Bach Ensemble for the production, with tenor Gene Stenger performing the role of The Evangelist and BBS Artistic Director Eugene Drucker serving as concertmaster.

The St. John Passion was completed in 1724 during Bach’s first year as Music Director in Leipzig. According to BBS Executive Director Terrill McDade, the work is characterized by a "freer and more extravagant" style compared to the later St. Matthew Passion. The upcoming Great Barrington performance is part of a long-term artistic initiative by the society that includes scheduled performances of the St. Matthew Passion in 2028 and the B minor Mass in 2030.

The program is expected to last approximately two and a half hours. In keeping with the work's historical premiere at the Church of St. Nicholas, the performance will include a single intermission approximately 30 minutes into the piece, traditional for the placement of a sermon during Bach's era.

While the society will also hold a second performance on April 12 at the Troy Savings Bank Music Hall in Troy, N.Y., the Great Barrington appearance serves as the regional opening for this ambitious choral cycle.

Tickets are available through the Berkshire Bach Society website. Admission is free for children and students under the age of 25 with a valid ID.

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King and Confidantes Debate Hope and Change in 'American Five'

By Alan PetrucelliSpecial to iBerkshires
STOCKBRIDGE, Mass. — Fiction and fact meld in the regional premiere of "The American Five," now playing at the Larry Vaber Stage of the Unicorn Theatre. 
 
The play takes a fictionalized look at the Rev. Dr. Martin Luther King Jr. and his four closest confidants in the months leading up to the famed March on Washington on Aug. 28, 1963. The quintet, through differing opinions, animated arguments, constant threats of violence and a late-night meal featuring challah bread and wine, become a family as they prepare for the history-making march that galvanized the Civil Rights movement.
 
Most of us know the King saga. It's the second act in which playwright Chess Jakobs' genius shines. Prejudice runs rampant here: Is Stanley Levison, a Jewish lawyer from New York who shows up in Montgomery to join the fight for racial equality and "to repair the world," viewed as white? Jewish? Both? And march strategist and organizer Bayard Rustin experiences his own fight for civil rights because of his homosexuality. Here, Jakob explores prejudice on different levels.
 
The cast is top-notch with many emotional highs. As King, Rashun Carter (who would look more like his character if he had a full moustache) and Sydney Elisabeth (as Coretta Scott King) are at their best during a scene that bounces between humor and poignancy. 
 
She questions her husband about his meeting with President John F. Kennedy; he is angry and refuses to discuss it. "There is no 'you' out there, without a 'me,' in here," she says, leading King to agree that because of her self-worth and unwavering devotion to him, she is "Coretta Scott Queen."
 
As Clarence Jones, King's personal counsel, Brett Diggs has assurance and dignity; Harry Smith's portrayal of lawyer Stanley Levison, is nothing short of extraordinary. Destan Owens' performance as gay Bayard Rustin is the play's most outstanding performance as he defends his relations with men: "You don't get to judge me!" he tells King. "I'm just trying to find love."
 
"The American Five" is tightly directed by Gerry McIntyre; the historic period projections and footage/designed by Alex Hill remind people that there are dreams, such as hope and change, that are still being fought.
 
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