Mount Greylock Regional art teacher Jane-Ellen DeSomma receives the Pepper/Jackson Award from Gabriel Sacco.
NORTH ADAMS, Mass. — High school students from around the region are being featured this week at Massachusetts Museum of Contemporary Art.
More than 400 submissions were made to museum's 14th annual Teen Invitational, giving these young artists an chance to shine in media ranging from video to oils to pottery.
The exhibition is on view through Sunday, April 26.
"This is my third year working with the participating schools and producing this exhibition," said Gabriel Sacco, the museum's senior manager of public programs, at Thursday's reception.
"I'm always so impressed by the student work. It's the thing that like keeps me really excited about the work that we do, especially at a time like this when you know we need we need young voices to really share out what the future looks like for us now."
Participating schools were the Academy at Charlemont, Berkshire Arts & Technology Public Charter School, Buxton School, Darrow High School, Drury High School, Hoosac Valley High School, McCann Technical School, Miss Hall's School, Mount Greylock Regional School, Pine Cobble School, Pittsfield High School, Greater Commonwealth Virtual School and Wahconah Regional High School.
This year, six awards were presented: three honorable mentions in artistic excellence and three Berkshire Eagle bests in show.
Awards for artistic excellence all went to Drury High School students — Rommel Alvarez for his pencil and ink drawing of a singer, "Beautiful Mind Rod Wave"; Makayla Bushika, for her ceramic frogs and flowers, "Feelin' Froggy"; and Anna Bond for "Beach," an acrylic of a young girl at the beach.
Sacco said the best in show had been first, second and third but this year were being given equally.
"These really are dedicated to those who exceeded expectations and artistic excellence and the criteria I noted the above, excellence and skill, universal communication and visible commitment to art practice," he said.
They were Maryam Archambault of GCVS for "I'll Miss Her," digital art of a girl growing into adulthood; Brennon Zahn of Buxton for his butcher block made of different hardwoods, and Violet Corral, of Darrow, for "Map," an ink and paper drawing.
The top works were selected by a panel of five judges, local artist David Lachman, international concert pianist and NPR host Lara Downes, and MoCA senior manager of education Rebecca Cuscaden Marvin, manager of history and continuity Paulette Wein, and curatorial assistant Lydia Jasper.
Downes' year-long The Declaration Project has been in residence at Mass MoCA. The project is compiling audio recordings of Americans expressing their hopes and wishes for the nation's future on its 250th anniversary. She will be performing with other artists this July at the museum; the project premiere in New York this July.
"It was such a pleasure for me to judge the Teen Invitational today and see all of the brilliance and boldness at work," she said. "Just been thinking so much about how young people hold the future in their hands. And it was really evident as we were looking at all of your work just to share with us how you see the world around you, and how you see your place in it, and how you how your imagination is going to shape the future."
Some students also got to express their musical brilliance with four performances during the reception.The Snapdragons from the Academy at Charlemont seranaded families in the gallery; in the Hunter Center, the Drury DPAC band, Precipitation Notification from Charlemont, Rain Storms from Miss Hall's and Shug Monkey, hard rockers from Berkshire Art & Tech.
The Pepper/Jackson Award, recognizing art teachers for excellence in the classroom, was awarded to Amanda Hartlage of Drury and Jane-Ellen DeSomma of Mount Greylock.
Donations from the Ruth E. Proud Trust and Lee Bank provided monetary awards to the winners and a participation award to their schools to fund or supplement their art programs.
The exhibit was underwritten by a donor who wished to be anonymous, but Sacco said "he's passionate about the Invitational being at the same level of sport in high school, so hence this."
Sacco thanked everyone who participated in bringing it to life, including those who set up the gallery and guarded it and those who came to view it, but especially the aspiring artists who filled it.
"It's the camaraderie and the cheer that we bring, that you all bring to this museum, that I really want to highlight here and just really call out," he said. "By participating in this, you're all uplifting the arts to be something that isn't that isn't everywhere. So thanks for participating, believing in this museum, to bring your voices forward and believing in your faculty who work so hard for you."
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Why the Massachusetts Art Community Is Worth Continued Investment
By James BirgeGuest Column
How do we quantify the value of art on society and culture? Even eye-popping figures, like the $100 million estimate for the jewels stolen from the Louvre, or the record auction last fall that saw a piece by Gustav Klimt sell for more than $236 million can't fully account for the value of the history, stories, and emotions behind the creations themselves. But beyond that, there is a measurable financial, cultural and social benefit of the arts that is often taken for granted.
Despite the obvious impact, these figures are under threat. A recent survey by MassCreative compiled recent federal cuts to the National Endowment for the Arts, the National Endowment for the Humanities and the Institute of Museum and Library Services and identified 63 grants canceled and $4.2 million in grant funding rescinded across New England so far this year.
The dollars, of course, are important. But they also only scratch the surface on what they bring to the community. Today, we risk losing part of the culture and identity many now take for granted.
While others choose to look past these less tangible, but just as vital benefits, we're doing the opposite. Massachusetts College of Liberal Arts is all in to ensure the next generation retains their access to works of art, while also being empowered to create themselves.
Last fall, MCLA officially broke ground on the new Campagna Kleefeld Center for Creativity in the Arts, which will serve as a new hub for the campus and the local community for arts programming. When complete in fall of 2027, our students will benefit, but so will all of Berkshire County and artists in the surrounding area.
This exciting new facility is just one of the many forthcomings our region can enjoy in the coming years. Just a few miles away, anticipation builds for the Fall 2027 anticipated opening for the Williams College Museum of Art. Years in the making, the museum likewise grows from an enduring commitment to the arts, both in curriculum and in practice. Exciting times are also underway for the Clark Art Institute with the construction of a new facility to house a collection of 331 works of art, including paintings, sculptures, drawings and other works. Their wing is scheduled for completion in 2028. And listeners will no doubt enjoy the sounds and melodies from Mass MoCA Records, the latest endeavor to foster creativity and artistic pursuits through music launched in October as well. Of course, many are also awaiting the reopening of the Berkshire Museum anticipated this summer, after a tremendous renovation process to rejuvenate the experience for visitors.
So much time, energy, and yes, dollars, have already been invested in taking these facilities from ideas and sketches and making them reality. But they represent much more than new buildings. They represent new opportunities to cultivate and accelerate the thriving arts community in Massachusetts and the northern Berkshires.
Art, regardless of the medium, is a reflection of who we are, where we've been, and what we aspire to be. It can be inspired by hopes or fears and chronicle collective triumphs as well as tribulations. The goal of art is not only to document history, but to inspire those positioned to change it and to feel something new or even to provoke us to revisit our own assumptions or misconceptions.
As unfathomable of a number as $30 billion can seem, boiling down the impact to any number inherently discounts the unknowable downstream effects our graduates will bring to the community and the broader world after they leave our institutions. Likewise, rescinding $4.2 million now removes a huge chunk of that growth potential.
Justification for making these investments today when simply boiled down to dollars and cents still places us on solid ground strictly from a financial perspective that forgoes all of the intangible, but no less valuable, benefits as well.
The arts are still worth our support. And our community will be richer for it.
James Birge, PhD, is president of Massachusetts College of Liberal Arts in North Adams.
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