Berkshire Art Center Sets Youth Puppet Workshop for April Vacation

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STOCKBRIDGE — The Berkshire Art Center (BAC) has scheduled a specialized April vacation program, "Giant Parade Puppets," running April 20–24 at Citizens' Hall.

The workshop is designed for students aged 8 and older and will be led by artist and educator Eric "Homeslice" Weiss.

The week-long curriculum focuses on the design and construction of large-scale puppets. Students will learn to sculpt puppet heads and mount them onto wooden frames equipped with fabric arms and hand rods. The program draws inspiration from global traditions, including Chinese New Year dragon puppets and the Macy's Thanksgiving Day Parade, to teach the technical engineering and narrative elements of festive puppetry.

The program concludes with a puppet performance for family and friends on the BAC lawn. Following the workshop, the BAC will store the completed puppets, allowing students to retrieve them to participate in the Pittsfield Annual Fourth of July Parade on July 4, 2026.

Sessions will held Monday through Friday from 9:30 a.m. to 3:30 p.m. Supporting sponsors for the program include the Mass Cultural Council, Feigenbaum Foundation, Lee Bank, Greylock Federal Credit Union, Mill Town, Berkshire Bank, and the Rotary Club of Pittsfield.

Registration and additional information are available through the Berkshire Art Center website.

If you would like to contribute information on this article, contact us at info@iberkshires.com.

King and Confidantes Debate Hope and Change in 'American Five'

By Alan PetrucelliSpecial to iBerkshires
STOCKBRIDGE, Mass. — Fiction and fact meld in the regional premiere of "The American Five," now playing at the Larry Vaber Stage of the Unicorn Theatre. 
 
The play takes a fictionalized look at the Rev. Dr. Martin Luther King Jr. and his four closest confidants in the months leading up to the famed March on Washington on Aug. 28, 1963. The quintet, through differing opinions, animated arguments, constant threats of violence and a late-night meal featuring challah bread and wine, become a family as they prepare for the history-making march that galvanized the Civil Rights movement.
 
Most of us know the King saga. It's the second act in which playwright Chess Jakobs' genius shines. Prejudice runs rampant here: Is Stanley Levison, a Jewish lawyer from New York who shows up in Montgomery to join the fight for racial equality and "to repair the world," viewed as white? Jewish? Both? And march strategist and organizer Bayard Rustin experiences his own fight for civil rights because of his homosexuality. Here, Jakob explores prejudice on different levels.
 
The cast is top-notch with many emotional highs. As King, Rashun Carter (who would look more like his character if he had a full moustache) and Sydney Elisabeth (as Coretta Scott King) are at their best during a scene that bounces between humor and poignancy. 
 
She questions her husband about his meeting with President John F. Kennedy; he is angry and refuses to discuss it. "There is no 'you' out there, without a 'me,' in here," she says, leading King to agree that because of her self-worth and unwavering devotion to him, she is "Coretta Scott Queen."
 
As Clarence Jones, King's personal counsel, Brett Diggs has assurance and dignity; Harry Smith's portrayal of lawyer Stanley Levison, is nothing short of extraordinary. Destan Owens' performance as gay Bayard Rustin is the play's most outstanding performance as he defends his relations with men: "You don't get to judge me!" he tells King. "I'm just trying to find love."
 
"The American Five" is tightly directed by Gerry McIntyre; the historic period projections and footage/designed by Alex Hill remind people that there are dreams, such as hope and change, that are still being fought.
 
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