Bidwell House: Exploring the History of New England Redware

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MONTEREY, Mass.  Justin Thomas will speak about the museum's red earthenware collection.

These objects will be used to tell stories about red earthenware (and some stoneware) production all over New England, spanning the seventeenth through the early twentieth century. The notion of wares made by the rural country potter during the post-American Revolution period through about 1870 will be also discussed in comparison to the urbanized industries that existed in New England before and after the Revolutionary War.

The impact of the Industrial Revolution on this production will also be emphasized, as well as 275 years' worth of archaeology in New England. This talk will also relate stories about transportation and trade utilizing river ways and the Atlantic Ocean that allowed some of the area's potters to ship their wares to other parts of the region, Canada and to the south of New England.

Justin Thomas is a collector, researcher and writer about American utilitarian pottery production from the seventeenth through the early twentieth century. He has studied at archaeology departments, museums and private collections across the country, publishing numerous research articles about American potteries in regional and national publications. He has been a contributor for the New England Antiques Journal, Maine Antiques Digest, Antiques and the Arts Weekly, Antiques & Auction News, and Untapped New York. He has also authored seven books, as part of his ongoing pottery book series, published by Historic Beverly in Massachusetts. Justin has worked with museums, historical societies and archaeology departments all over the East Coast including the National Museum of American History, the Rochester Museum & Science Center, the New York State Museum, Old Sturbridge Village, Historic New England and Strawbery Banke, among many others. In 2021 he organized a special redware conference hosted by Historic Beverly. He currently resides in Newburyport.

This lecture will be held at the Tyringham Union Church at 128 Main Rd in Tyringham. This will be an in-person lecture, with the option to also watch a livestream via Zoom. All Zoom participants will receive a link to access the lecture 1-2 days in advance. Tickets for Zoom attendance must be purchased in advance but in-person tickets can be purchased at the door. Attendees can register here: https://www.bidwellhousemuseum.org/event/exploring-the-history-of-new-england-redware/

This program is supported in part by grants from the Otis and Sheffield Cultural Councils,  local agencies which are supported by the Mass Cultural Council, a state agency.

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Sheffield Craftsman Offering Workshops on Windsor Chairs

By Breanna SteeleiBerkshires Staff

Andrew Jack uses hand tools in his wood working shop. 

SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.

Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.

He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.

"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.

"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."

Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.

"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."

Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.

"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."

Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving. 

Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.

"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."

He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.

"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."

People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.

"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.

"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."

His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.

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