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The ribbon is cut on the brand-new Doris Duke Theatre at Jacob's Pillow.

Doris Duke Theatre Officially Opens with Ribbon Cutting

By Breanna SteeleiBerkshires Staff
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Patrons enter the new theater for its first performances on Wednesday night. 
BECKET, Mass. — The party was held Sunday but it was Wednesday night's ribbon cutting that officially opened the Doris Duke Theatre at Jacob's Pillow Dance Festival.
 
The opening night included nearly a half-dozen performances in the new space, including "OTMO Live," which used motion capture to connect a dancer in the Duke space to one in the Ted Shawn Theatre for a dual performance. 
 
"This theater is more than wood, glass and very comfortable seats. This theater is a promise to keep the arts accessible, ambitious, alive and looking to the future of dance," Trustees Chair Mark Sena said. 
 
"This theater is a commitment to nurture talent, inspire innovation and expand opportunity. This theater is a celebration of our belief in what the arts make possible, especially in times when the arts are challenged, when the world needs them the most and this theater is an achievement for Jacob's Pillow as a leading organization for the presentation, education and preservation of dance." 
 
The 30-year-old theater burned down in a fire in 2020. Dance company officials vowed to rebuild and launched a campaign drive three years later to construct a modern facility more than double in size and that can seat up to 400. The new 20,000-square-foot theater was estimated to cost $30 million and funded through a coalition of public and private donors and foundations.
 
"When the Doris Duke Theatre was lost to a fire in 2020 it felt like losing a part of our soul," said Executive And Artistic Director Pamela Tatge. "People all over the world tell me they remember where they were when they heard that the Duke burned down. That space held nearly three decades of boundary-pushing world premieres, thrilling explorations with groundbreaking artists and audience encounters that shifted perceptions."
 
Built for dance, the Duke is also built for the future and with the dangers of fire in mind. Sena said the wood-clad structure has been made as flame retardant as possible. 
 
"This beautiful wood you see behind us on the theater was bought in Canada pre-COVID, pre-tariffs and has a three-hour fire retardant rating," he said. 
 
A contest was held to determine who would build the new theater and Jacob's Pillow chose Norwegian company Mecanoo, led by Francine Houben.
 
"First, they know theater. They've built theaters all over the world. Second, their innovative use of wood. And third, because they think so intently about the values, the people, the place, the poetry of a site. And we felt that resonance with that firm," Tatge said.
 
Mecanoo brought in New York City's Marvel Architecture and worked with local contractor Allegrone Construction and artist Jeffrey Gibson to help design and construct the theater.
 
Tatge also introduced President Shannon Holsey of the Stockbridge-Munsee Band of Mohican Indians.
 
"The land that this theater is built on is the land of Muh-he-con-ne-ok or Mohican people. Despite tremendous hardship at being forced from here, they continue to reside in Wisconsin, where they are known as the Stockbridge Munsee community. We pay honor and respect to their elders, past and present, as we seek to create a more equitable and inclusive organization," Tatge said.
 
Jacob's Pillow had asked all the design teams to include an indigenous artist to help design the new theater.
 
The festival also inaugurated an Indigenous Garden designed by Stockbridge-Munsee members to serve as a way to honor and recognize the land's original inhabitants.
 
"I look around and I see hopefulness, I see inclusion," said Holsey. "I feel energy, and especially now where there needs to be renewed attention around the things that are happening in our world, especially with regards to the social injustices of people of color and people like our nation, who were dispossessed at this place we now call Jacob's Pillow and and we're able to return in a joyful and hopeful way and help celebrate the diversity that exists within all of us."
 
The festival held a open house for the community on Sunday with tours of the theater, dancing and other activities. The ribbon cutting on July 9 held special significance, say Pillow officials, as it was the same date 83 years ago of the opening of the Ted Shawn Theatre, the first performance space in America designed exclusively for dance.
 
The international dance festival is now in its 93rd summer and will offer nine weeks of performances on its campus, and in streaming and online events through Aug. 24. The 2025 summer festival will mark the first time in six years that all three onsite performance venues are open to the public: the historic Ted Shawn Theatre, the outdoor Henry J. Leir Stage, and the new Doris Duke Theatre.
 
A long line of Pillow officials, supporters, Duke designers and contractors, and community leaders lined up to each cut the red ribbon opening the theater — and then the singing and dancing began. 

Tags: jacobs pillow,   ribbon cutting,   

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Sheffield Craftsman Offering Workshops on Windsor Chairs

By Breanna SteeleiBerkshires Staff

Andrew Jack uses hand tools in his wood working shop. 

SHEFFIELD, Mass. — A new workshop is bringing woodworking classes and handmade items.

Andrew Jack specializes in Windsor chairs and has been making them for almost 20 years.

He recently opened a workshop at 292 South Main St. as a space for people to see his work and learn how to do it.

"This is sort of the next, or latest iteration of a business that I've kind of been limping along for a little while," he said. "I make Windsor chairs from scratch, and this is an effort to have a little bit more of a public-facing space, where people can see the chairs, talk about options, talking about commissions.

"I also am using it as a space to teach workshops, which for the last 10 years or so I've been trying to do out of my own personal workshop at home."

Jack graduated in 2008 from State University of New York at Purchase, and later met woodworker Curtis Buchanan, who inspired him.

"Right after I finished there, I was feeling a little lost. I wasn't sure how to make the next steps and afford a workspace. And the machine tooling that I was used to using in school." he said, "Right after I graduated, I crossed paths with a guy named Curtis Buchanan, and he was demonstrating making really refined Windsor chairs with not much more than some some flea market tools, and I saw that as a great, low overhead way to keep working with wood."

Jack moved into his workshop last month with help from his wife. He is renting the space from the owners of Magic Flute, who he says have been wonderful to work with.

"My wife actually noticed the 'for rent' sign out by the road, and she made the initial call to just see if we get some more information," he said. "It wasn't on my radar, because it felt like kind of a big leap, and sometimes that's how it's been in my life, where I just need other people to believe in me more than I do to, you know, really pull the trigger."

Jack does commissions and while most of his work is Windsor chairs, he also builds desks and tables, and does spoon carving. 

Windsor chairs are different because of the way their backs are attached into the seat instead of being a continuous leg and back frame.

"A lot of the designs that I make are on the traditional side, but I do some contemporary stuff as well. And so usually the legs are turned on a lathe and they have sort of a fancy baluster look to them, or they could be much more simple," he said. "But the solid seat that separates the undercarriage from the backrest and the arms and stuff is sort of one of the defining characteristics of a Windsor."

He hopes to help people learn the craft and says it's rewarding to see the finished product. In the future, he also hopes to host other instructors and add more designs for the workshop.

"The prime impact for the workshops is to give close instruction to people that are interested in working wood with hand tools or developing a new skill. Or seeing what's possible with proper guidance," Jack said. "Chairs are often considered some of the more difficult or complex woodworking endeavors, and maybe less so Windsor chairs, but there is a lot that goes into them, and being able to kind of demystify that, or guide people through the process is quite rewarding."

People can sign up for classes on his website; some classes are over a couple and others a couple of weekends.

"I offer a three-day class for, a much, much more simple, like perch, kind of stool, where most of the parts are kind of pre-made, and students can focus on the joinery that goes into it and the carving of the seat, again, all with hand tools. And then students will leave with their own chair," he said.

"The longer classes run similarly, although there's quite a bit more labor that goes into those. So I provide all the turned parts, legs and stretchers and posts and things, but students will do all the joinery and all the seat carving the assembly. And they'll split and shave and shape their own spindles, and any of the bent parts that go into the chair."

His gallery is open Wednesday through Sunday 10 a.m to 2 p.m., and Monday and Tuesday by appointment.

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