Local Man Wins Auction for Williamstown Parcel

By Breanna SteeleiBerkshires Staff
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WILLIAMSTOWN, Mass. — The town of Williamstown auctioned a quarter-acre parcel on Wednesday.

Four bidders came to the auction to bid on the 0.264-acre property on Harrison Avenue.

The bidding started at $14,450, and the winning bid was $40,000 by Williamstown resident Gerard Smith, who is not sure what he will do with the property yet, but plans to clear the wooded lot first.

"My intention would be to make improvements to the property. And I'm not sure what the scope of those improvements are just yet, but the market will tell me," Smith said.

Smith said he usually purchases properties and adds value to them.

The auction was held at Town Hall by Berkshire Auctions owner James Dalton. The auction winner was required to post a $5,000 down payment.


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Theater Review: 'Driving Miss Daisy' Is a 'Wondrous' Production

By Alan PetrucelliSpecial to iBerkshires
PITTSFIELD, Mass. — Alfred Uhry's "Driving Miss Daisy" rolled into the St. Germain Stage in late May, marking the opening of Barrington Stage Company's 2026 season.
 
And what a wondrous, welcoming production it is. Uhry won a Pulitzer Prize for his work; he won an Oscar for the 1989 film adaptation of the play, which also won the Best Picture Oscar. Yes, that's how good it is.
 
Daisy Werthan is a 72-year-old white Jewish widow in Atlanta whose car accident destroyed her Packard — and her chance to ever drive herself again.
 
"Mama, we are just going to have to hire someone to drive you," her adult son Boolie tells her. 
 
She is adamant: "What I do not want — and absolutely will not have — is some chauffeur sitting in my kitchen, gobbling my food and running up my phone bill."
 
Enter Hoke Colburn, an unemployed African-American illiterate who grew up in rural Georgia during the Jim Crow-era South. Boolie hires him at $20 a week, and in a span of 85 minutes and a decade or so, this odd couple develop a tight bond that overcomes their cultural, gender and class differences. 
 
Though she's living in a racially explosive time in the South, the irascible Miss Daisy doesn't consider herself racist, nor does she fully accept the realities of the racist culture that has even resulted in a bombing at her own synagogue (a true event in Atlanta, in 1958).
 
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