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The designs for the Williams College Museum of Art by Brooklyn-based firm SO–IL were released on Thursday.
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Williams College Museum Envisions Natural Setting, Sustainability Focus

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The college art museum has spent the last century in Lawrence Hall. 
WILLIAMSTOWN, Mass. — The new Williams College Museum of Art will be an airy cluster of programming spaces surrounding a central hub for gatherings. 
 
The single-story structure is designed to harmonize with the natural setting across from Field Park, on the former site of the Williams Inn. It is projected to open in 2027, in line with the museum's centennial.
 
The design by Brooklyn-based firm SO–IL were released on Thursday. A public forum about the museum building project will be held at on Monday, March 11, at 6 p.m. at the new Williams Inn on Spring Street. 
 
The museum has served the college as a primary teaching resource, the community and art-lovers over the past century and has long outgrown its space off Main Street. The board of directors in 2021 voted to move ahead to the design phase after years of debate. 
 
"I'm thrilled by how deeply and imaginatively SO–IL has responded to our goal of engaging the entire campus around art, while bringing the Williams College experience into dynamic interaction with the wider world and becoming a more visible, accessible presence among the outstanding cultural attractions in the Berkshires," said Pamela Franks, Class of 1956 museum director. "The new WCMA prioritizes inspiring spaces to display and study the collection and will be a forward-looking architectural achievement that is simultaneously a welcoming and relaxed meeting place for the campus, the Williamstown community and our visitors from around the world. 
 
"It will be a sustainable building in dialogue with the beautiful natural surroundings, where people can linger, converse, participate in wide-ranging programs, and enjoy art from ancient Assyrian reliefs to contemporary media at no cost of admission."
 
The museum will consist of four main programming areas, slightly set apart like pavilions, and unified through their materials, their openness to the natural setting, their organization around a central gathering place, and an overarching roof that shelters them all.
 
Jing Liu and Florian Idenburg, founding partners of SO–IL, said designing a college art museum has been an exciting task. 
 
"Orchestrating synergies between the past, present, and future enables us to create a home where students, faculty, community, and collection converge," they said in a statement. "We believe space is as much a teacher as the programs it houses, so we are thrilled to partner with WCMA in designing a building in which different modes of art study and appreciation can intersect, coexist, and reinvent one another. 
 
"Walls do not confine the concept of this museum, but rather the inviting gesture of an overarching roof that delineates spaces for these interactions to take place. Contributing to this beautiful landscape, we hope the building will become a welcoming beacon, situated sensitively between campus and the world beyond."
 
The museum has been housed in the 1846 Lawrence Hall since its founding in the 1920s. The octagon hall on the south side of Main Street was the college's original library and has been expanded numerous times over the past 180 years, the last time in 1986. 
 
The collection has meanwhile grown to more than 15,000 items, including more than 1,000 from philanthropist Peter Norton and 340 objects of African art from Drs. Carolyn and Eli Newberger just in this century. The bulk of the collection has to be stored offsite. 
 
The old inn was purchased by the college in 2014 and demolished in 2020 after the opening of a new inn at the bottom of Spring Street. 
 
According to the architects, the new museum will have a large south-facing central lobby and two gallery clusters for temporary exhibitions while the permanent collection will radiate toward the north. These galleries provide more than 15,000 square feet of display space, accounting for 35 percent of the net square footage of the building. Off the entrance is an auditorium, art studio space, and a café. A hybrid gallery-classroom space will be dedicated to the museum's signature Object Lab and a study center of approximately 6,400 square feet will includes dedicated areas for works on paper study, storage, two classrooms for object study, a digital humanities classroom, and a seminar room. 
 
A roof of aluminum shingles covers all five volumes of the museum with curves and peaks that engage with the ridgelines of the surrounding mountains. The roof's broad overhang creates awnings and porches that surround the building, embracing visitors as they approach while providing temperature regulation to reduce energy use and enhance sustainability.
 
A courtyard garden stands at the heart of the building, north of the central lobby between the two gallery arms, locating nature at the center of the building. Views of the landscape open from the central lobby toward the main entrances, located on the south and west sides of the building. Seating areas between galleries offer views of the landscape, as does the lounge unifying the research spaces and classrooms in the study center.
 
With a focus on renewable materials and climate-control techniques, the building aims to require as little as 30 percent of the current baseline energy usage for art museums. The building's mass timber structure is exposed throughout the lobby and echoed by wood ceilings in the galleries. Carbon-conscious masonry in both textured and smooth surfaces will clad the outer walls of each pavilion, extending from the exterior façade to the interior gathering spaces and passageways. The roof's overhang will not only provide shade for the expanses of glass in the façade but also will be used for a rainwater retention system.
 
Outside the building, bioretention basins will catch and treat rainwater, while a cistern beneath the parking lot will hold water back until the brook running north of the site can handle the run-off. The landscape around the building, designed by Reed Hilderbrand, will be renewed and reforested, with a flowering meadow and gardens featuring native plants. The main parking area, located north of the building, will be a "park-in-the-woods" experience built into the existing 30-foot drop-off in the topography.
 
The museum will present an exhibition on the SO–IL design in May. 
 
"Williams has a stellar legacy in the field of art history. At the center of that success has been our commitment to opening a world-class, global collection to engagement. The museum has been a place where people could come not just to view art, but to really get involved with it and in it — to think about the circumstances in which it is created, and the ways in which different artists see the world, and what those insights can mean for humanity as a whole," said college President Maud S. Mandel. "Some of the most fascinating examples have come from work with the collection by our classes in unexpected fields, such as chemistry or computer science or environmental studies. 
 
"At the same time, and in the same space, the collection has been an important draw for visitors, a hub for discussion and culture and creativity for the Berkshires and beyond. The new building — designed to stand as a gateway to the heart of campus and Williamstown, and a tribute to the natural world in which we reside — will make it possible to realize and extend our vision for great arts engagement into a new century."

Tags: WCMA,   Williams College,   Williams College Museum of Art,   

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Puppets Teach Resilience at Lanesborough Elementary School

By Breanna SteeleiBerkshires Staff

The kids learned from puppets Ollie and a hermit crab.

LANESBOROUGH, Mass. — Vermont Family Network's Puppets in Education visited the elementary school recently to teach kids about being resilient.

Puppets in Education has been engaging with young students with interactive puppets for 45 years.  

The group partnered again with Bedard Brothers Chevrolet, which sponsored the visit. 

Classes filtered through the music class Thursday to learn about how to be resilient and kind, deal with change and anxiety, and more.

"This program is this beautiful blending of other programs we have, which is our anxiety program, our bullying prevention and friendship program, but is teaching children the power of yet and how to be able to feel empowered and strong when times are challenging and tough," said program manager Sarah Vogelsang-Card.

The kids got to engage with a "bounce back" song, move around, and listen to a hermit crab deal with the change of needing a new shell.

"A crab that is too small or too big for its shell, so trying to problem solve, having a plan A, B and C, because it's a really tough time," Vogelsang-Card said. "It's like moving, it's like divorce of parents, it's changing schools. It's things that children would be going through, even on a day to day basis, that are just things they need to be resilient, that they feel strong and they feel empowered to be able to make these choices for themselves."

The resiliency program is new and formatted little differently to each of the age groups.

"For the older kids. We age it up a bit, so we talk about harassment and bullying and even setting the scene with the beach is a little bit different kind of language, something that they feel like they can buy into," she said. "For the younger kids, it's a little bit more playful, and we don't touch about harassment. We just talk about making friends and being kind. So that's where we're learning as we're growing this program, is to find the different kinds of messaging that's appropriate for each development level."

This programming affirms themes that are already being discussed in the elementary school, said school psychologist Christy Viall. She thinks this is a fun way for the children to continue learning. 

"We have programs here at the school called community building, and that's really good. So they go through all of these strategies already," she said. "But having that repetition is really important, and finding it in a different way, like the puppets coming in and sharing it with them is a fun way that they can really connect to, I think, and it might, get in a little more deeply for them.

Vogelsang-Card said its another space for them to be safe and discuss what's going on in their life. Some children are afraid because maybe their parents are getting divorced, or they're being bullied, but with the puppets, they might open up and disclose what's bothering them because they feel safe, even in a larger crowd. 

"When we do sexual abuse awareness that program alone, over five years, we had 87 disclosures of abuse that were followed up and reported," she said. "And children feel safe with the puppets. It makes them feel valued, heard, and we hope that in our short time that we're together, that they at least leave knowing that they're not alone."

Bedard Brothers also gave the school five new puppets to use. Viall said the puppets are a great help for the students in her classroom, especially in the younger grades. 

"Every year, I've been giving the puppets to the students. And I also have a few of the puppets in my classroom, and the students use them in small groups to practice out the strategies with each other, which is really helpful," she said. "Sometimes the older students, like sixth graders, will put on a puppet show. They'll come up with a whole theme and a whole little situation, and they'll act it out with the strategies for the younger students. It's really cute, they've done it with kindergarteners, and the kids really like it."

Vogelsang-Card said there are 130 schools in Vermont that are on the waiting list for them to come in. Lanesborough Elementary has been the only Massachusetts school they have visited, thanks to Bedard Brothers. 

"These programs are so critical and life-changing for children in such a short amount of time, and we are the only program in the United States that does what we do, which is create this content in this enjoyable, fun, engaging way with oftentimes difficult subjects," she said. "Vermont is our home base, but we would love to be able to bring this to more schools, and we can't do this without the support of community, business funders or donors, and it really makes a difference for children."

The fourth-grade students were the first class to engage with the puppets and a lot of them really connected with the show.

"I learned to never give-up and if you have to move houses, be nervous, but it still helps," said William Larios.

"I learned to always add the word 'yet' at the end," said Sierra Kellogg, because even if she can't do something now, she will be able to at some point.

Samuel Casucci was struck by what one of the puppets talked about. "He said some people make fun of him if he dresses different, come from different place, brings home lunch, it doesn't matter," Samuel continued. "We're all kind of the same. We're all kind of different, like we have different hairstyles, different clothes. We're all the same because we're all human."

"I learned how to be more positive about myself and like, say, I can't do this yet, it's positive and helpful," said Liam Flaherty.

The students got to take home stickers at the end of the day with contact information of the organization.

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